“With very few exceptions, the best original scenarios have been written either by writers who knew the cinema particularly well, or by professional film workers. Although it may seem at first sight that anybody should be able to write a film scenario, experience shows that good scenarios are very rare.”
“I've always felt more politically comfortable making films that demonstrated problems and didn't tell you how to solve them, but made you feel enough for the subjects who were hurt by these problems...”
“...our wars of machines and technology make 'progress' ever more impersonal and deadly - a 'progress' that has not guaranteed man's human, moral, and civil growth.”
“I make movies for people everywhere in the world. In this respect, I did not feel strange dealing with a story that is not from my immediate environment. Either you tell a true story or you do not.”
“I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn’t catch on right away.”
“I feel more Irish than English. I feel freer than British, more visceral, with a love of language. Shot through with fire in some way. That's why I resist being appropriated as the current repository of Shakespeare on the planet. That would mean I'm part of the English cultural elite, and I am utterly ill-fitted to be.”