
Cinematic Pleasures 2013
Above the Law (Andrew Davis / USA, Hong Kong / 1988)
The Lady in Red (Lewis Teague / USA / 1979)
Mr. Bug Goes to Town (Dave Fleischer, Shamus Culhane / USA / 1941)
79 primaveras “79 Springs” (Santiago Álvarez / Cuba / 1969)
Reportage amateur (maquette expo) (Anne-Marie Miéville, Jean-Luc Godard / France / 2006)
La hora de los hornos “The Hour of the Furnaces” (Fernando E. Solanas / Argentina / 1968)
Kö (Tamás Andor / Hungary / 1965)
Code of Silence (Andrew Davis / USA / 1985)
Mese (György Kárpáti / Hungary / 1962)
The Deep (Peter Yates / USA / 1977)
Le cinque giornate “The Five Days” (Dario Argento / Italy / 1973)
Il fantasma dell’opera “The Phantom of the Opera” (Dario Argento / Italy / 1998)
Tokyo senso sengo hiwa “The Man Who Left His Will on Film” (Nagisa Oshima / Japan / 1970)
Eisenhans “Strange Fruits” (Tankred Dorst / West Germany / 1983)
Häschen in der Grube “Rabbit in the Pit” (Roger Fritz / West Germany / 1968)
Der Wilderer vom Silberwald (Otto Meyer / West Germany / 1957)
Too Hot to Handle (Don Schain / USA, Philippines / 1977)
Weiterstadt I (Klaus Hammerlindl, Verena Kra
emer / Germany / 2007)
Karl May (Hans-Jürgen Syberberg / West Germany / 1974)
Omohide poro poro “Only Yesterday” (Isao Takahata / Japan / 1991)
Footloose (Herbert Ross / USA / 1984)
Nevada Smith (Henry Hathaway / USA / 1965)
Schwarze Panther (Josef Mach / East Germany / 1966)
Ganovenehre (Wolfgang Staudte / West Germany / 1966)
Next of Kin (Tony Williams / Australia, New Zealand / 1982)
In the Heat of the Night (Norman Jewison / USA / 1967)
Varúj…! “Beware!” (Martin Fric / Czechoslovakia / 1947)
Dans la nuit (Charles Vanel / France / 1929)
Excalibur (John Boorman, UK, USA / 1981)
Ein Mädchen aus Flandern “The Girl from Flanders” (Helmut Käutner / West Germany / 1956)
Das unsichtbare Mädchen (Dominik Graf / Germany / 2011)
Film ohne Titel “Film Without Title” (Rudolf Jugert / Germany / 1948)
White Sands (Roger Donaldson / USA / 1992)
Heimlichkeiten “Little Secrets” (Wolfgang Staudte / West Germany, Bulgaria / 1968)
The Mercenaries (Jack Cardiff / UK, USA / 1967)
Le goût de la violence “The Taste of Violence” (Robert Hossein / France, Italy, West Germany / 1961)
Das Mädchen mit dem Mini (Paul Milan / Austria / 1965)
Avortement clandestin! "Clandestine Abortion (Pierre Chevalier / France, Belgium / 1973)
Aido “Aido: Slave of Love” (Susumu Hani / Japan / 1969)
Nackt, wie Gott sie schuf (Hans Schott-Schöbinger / West Germany, Austria, Italy / 1958)
Sommersprossen “Freckles” (Helmut Förnbacher / West Germany, Italy / 1968)
Randale “Girls Riot” (Manfred Purzer / West Germany / 1983)











