“I believe you have to be born a director. It’s like a child’s adventure: you take the initiative among other children and become a director, creating a mystery. You mould things into shape and create.”
“Hollywood is just too marvelous. One feels the footprints of all the immortals are here, but has a terrible feeling that they are in sand and won’t last when civilization comes this way.”
“One of the great things about directors is how collegial we feel with each other. We share huge amounts - I get other directors in to see my work all the time and they do the same with me. It's a very warm and generous group of people.”
“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”
“I think, to create reality in film, you still have to go through constructedness; you gotta go through a process of artifice anyways. I'm not one of those people who thinks, "Oh, the real person will seem real on the screen;" to create something that is seemingly real takes a lot of work. But having said that, I try to structure the scenes quite tightly, but then within that, leave them some space to go unexpected places.”
“My first step writing, was the idea of going to the snow and having sex with a girl. It changed later to the sea. But that was the most important thing, the loneliness of being young and alone.”
“I’m a long-term student but also a committed autodidact. Therefore I’m as much interested in the ways people learn things for themselves as in the way they do through dialogue and communication. I like to film the way someone moves who is acquiring a new skill or learning something about the world.”
“When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.”
“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Everything
must come from inside. It mustn’t be superficial. I hate weird camera angles and distorting lenses.”