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George's Favorite Auteurs

Displaying auteurs 1 - 20 of 64 in total
W120

Manoel de Oliveira

[Answering the questions: what keeps you going?] "There is no secret – it is work! It is doing something, it is a natural impulsion. My life is so complicated – I need space around me, I have so much going on and my house is small, and I need breathing space. I cannot seem to sort it out. I cannot either stretch time, or enlarge the house. That would take up precious time which I cannot afford."

 
W120

Agnès Varda

“I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.”

 
W120

Éric Rohmer

“I do not say, I show. I show people who move and speak.”

 
W120

Mike Leigh

“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”

 
W120

Andrei Tarkovsky

“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”

 
W120

Tomas Alfredson

“The soundscape is fifty percent of the experience. Any kid can nowadays easily point out where and how you’ve made certain visual effects, but very rarely what they’ve experienced with their ears. This is still an enormous orchestra to conduct, which is in the dark for the audience.”

 
W120

James Cameron

“People call me a perfectionist, but I'm not. I'm a rightist. I do something until it's right, and then I move on to the next thing.”

 
W120

Andrea Arnold

“Dramatically, I like darkness, I like conflict - but I don't see the world as defined by them. And why would I pretend to? That's not who I am.”

 
W120

Vittorio De Sica

“I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.”

 
W120

Roberto Rossellini

“I am not a pessimist; to perceive evil where it exists is, in my opinion, a form of optimism.”

 
W120

Jacques Tati

“Like a dancer learns to dance ... a visual comic learns to use his legs.”

 
W120

Jean-Luc Godard

“A story should have a beginning, a middle, and an end... but not necessarily in that order. ”

 
W120

Claire Denis

“Even if it's the dream of a voyage, I think it was very important for me that the film offer the two sides of the globe.”

 
W120

Spike Jonze

“Being able to shoot on videos and commercials — just being on the set, with only a certain amount of time and shots and sequences to do in that amount of time, learning how to work with the crew the physical production and the limitations — is all good training.”

 
W120

Alain Resnais

“I'm always in search of special nonrealistic language that has musicality. ”

 
W120

Ethan Coen

“We create monsters and then we can't control them. ”

 
W120

Joel Coen

“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”

 
W120

Wim Wenders

“Any movie that has that spirit and says things can be changed is worth making. ”

 
W120

Gus Van Sant

“I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything.”

 
W120

Walter Salles

“The necessity to conceptualize has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along.”