[on Last House on Dead End Street] "When the film screened in Dallas, a riot followed. In Chicago someone tried to burn the cinema down after it screened. People really reacted harshly to it."
[On H. P. Lovecraft] That's the thing, he used his phobias. Fear of things that are different or unknown is sort of a central theme to a lot of his stories.
“[Cinema] it’s the celebration of the Lumière Brothers. That is: since the Lumière period, what has come out of it? If you exclude that minimum of "self-fright” sought at all costs, or that hint of bewilderment in certain African tribes, at the sight of that train. The Lumières… I think their commemoration goes on since 19th century. The same one which has been perpetuated.”
"The Quays' 'aesthetics of degraded reality' finds beauty in industrial decay, moldering fabric, rust, dirt, grime, the discarded, the broken, the derelict, the deformed, human and non-human abnormalities, pathologies, and anomalies. Beauty lies precisely in that which contemporary mainstream society neglects and discards." —James Fiumara
“I was knocking myself out to make this stuff. And I always assumed that people would see this and have pity and give me a little support. [shouts] They didn’t!”
“People love seeing violence and horrible things. The human being is bad and he can't stand more than five minutes of happiness. Put him in a dark theater and ask him to look at two hours of happiness and he'd walk out or fall asleep.”