“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”
“Comedy is a dangerous business. If people find something funny you’re okay. But the moment you do something that’s meant to be funny and someone doesn’t find it funny, they become angry. It’s almost as if they resent the fact that you tried to make them laugh and failed.”
“As an art-house director I am supposed to hate mainstream films but I saw Peter Jackson's King Kong and liked it. I even cried when I was watching it although in my opinion this film has no artistic value at all.”
“When the wind blows straight to my chest, against me, I have plenty of energy. When the wind blows from my back, that energy disappears. During the period of tight censorship, we struggled with all our might to get our voice heard. But now that everything’s allowed, the strive has vanished. It’s like one French writer once said: an artist must always be a little hungry. Right?”
“Never allow oneself to remain the same – like a river, always renew yourself. I’m always wondering about the paths that would open animation to become a real dramatic art.”
“I never call myself an animated filmmaker because I am interested not in animation techniques or creating a complete illusion, but in bringing life to everyday objects.”
“Gromit was the name of a cat. When I started modeling the cat I just didn`t feel it was quite right, so I made it into a dog because he could have a bigger nose and bigger, longer legs.”
[On one of his most famous characters] "The coyote is victimized by his own ineptitude. I never understood how to use tools and that's really the coyote's problem."
“With his debut feature film Closely Watched Trains (1966), Czechoslovakian filmmaker Jirí Menzel became an important member in Czech New Wave cinema and won an Academy Award.”
“(On why did he not record an audio commentary for 21 Grams) I don't like them. I feel that if you have to explain something it loses strength. It's like a magician trying to explain his magic, in a way.”
“Some people are of the opinion that an intellectual should hate power, drink like a cobbler and die of consumption under a fence. Then you are a real artist. But in that case what do we do with Lev Tolstoy?”
“If someone were to tell me I had twenty years left, and ask me how I'd like to spend them, I'd reply 'Give me two hours a day of activity, and I'll take the other twenty-two in dreams.'”