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BORA's Favorite Auteurs

Displaying auteurs 1 - 20 of 24 in total
W120

Douglas Sirk

“If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.”

 
W120

Yasujirô Ozu

“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”

 
W120

Max Ophüls

“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”

 
W120

Orson Welles

“A film is never really good unless the camera is an eye in the head of a poet.”

 
W120

Nicholas Ray

“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”

 
W120

Ingmar Bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

 
W120

Akira Kurosawa

“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”

 
W120

Luis Buñuel

“If someone were to tell me I had twenty years left, and ask me how I'd like to spend them, I'd reply 'Give me two hours a day of activity, and I'll take the other twenty-two in dreams.'”

 
W120

Frederick Wiseman

“There are lots of different ways to make film. I don’t believe there has to be any orthodox way to making movies, or any rules. It’s what works for the filmmaker, and, theoretically, the audience.”

 
W120

Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”

 
W120

Pier Paolo Pasolini

“The mark which has dominated all my work is this longing for life, this sense of exclusion, which doesn't lessen but augments this love of life.”

 
W120

David Lynch

“I don't think about technique. The ideas dictate everything. You have to be true to that or you're dead.”

 
W120

Lars von Trier

“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”

 
W120

Roman Polanski

“You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.”

 
W120

Errol Morris

“The proper route to an understanding of the world is an examination of our errors about it.”

 
W120

Louis Malle

“You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.”

 
W120

John Cassavetes

“The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.”

 
W120

Alfred Hitchcock

“For me, the cinema is not a slice of life, but a piece of cake.”

 
W120

Otto Preminger

[Giving direction to a group of children on Exodus (1960)] "Cry, you little monsters!"

 
W120

Jean-Luc Godard

“A story should have a beginning, a middle, and an end... but not necessarily in that order. ”