Antoine Doinel on mubi.com, the social network for people who love film.

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Antoine

Doinel

About Me

“I might like a woman because she was in a Bresson film.”

“Your greatest wish as a cinephile?”
“To die seeing a film.”

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see Antoine Doinel's filmography

Teruo Ishii

also "Flesh Pier" (1958) and the brilliant "An Outlaw" (1964) with Ken Takakura.

Favorite Films

Displaying 4 of 713 films

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Dead Man

Lists

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Style

Inspired collaboration
Serene & subtle
Avant-garde

Following

Following 50 people

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note

14Oct12

Thanks for the follow back.

Antoine Doinel

14Oct12

hey! no worries, i think we have quite a similar cinematic predilection.

“I might like a woman because she was in a Bresson film.” “Your greatest wish as a cinephile?” “To die seeing a film.” yes, yes, yes, yes, yes, yes, yes, yes, the teacher in tésis dies while watching a film, how lucky was he? aha.

Antoine Doinel likes this

Laali

31Jan12

Bonjour Antoine, merci de me suivre :)

La Schiff

31Jan11

ahh there's so many films in your favorites i want to watch, recommend me something so i can narrow this list! (i only put a few in my official wants to watch so you dont have to go by that) ;) thanks much!

chanandre likes this

Favorite Auteurs

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Wants To Watch

Displaying 4 of 1978 films

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A Touch of Sin

The Town that Dreaded Sundown

Cinema-de-notre-temps-james-benning-and-richard-linklater

Cinéma, de notre temps: James Benning and Richard Linklater

Somebody Up There Likes Me

Reviews

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The Red Balloon

Lamorisse’s ‘Red Balloon’ has to be one of the most visually stunning films I’ve seen to date, it is the spirit and embodiment of “poetic realism”. The film is reminiscent of Jean Vigo’s classic ‘Zéro… read review

Floating Weeds

Everyone praises Antonioni for his psychological use of color in ‘Red Dessert’, Powell and Pressburger for their expressionistic technicolor tour de force ‘Red Shoes’, Bergman’s symbolic use of color… read review

Gimme Shelter

This film is quite remarkable, not simply as a “concert film” or documentary but as a piece of historical cinema. It ultimately plays out as a potent summation of the 60s zeitgeist and leaves you completely… read review

Shadows

I think the most astounding thing about Cassavete’s debut “Shadows”, the scene that emotionally rings true for me (something Cassavete’s totally perfected in his later films) is the one featured in… read review