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Alessandro's Favorite Auteurs

Displaying auteurs 1 - 20 of 39 in total
W120

Deborah Stratman

“If we gain nothing from experimental film, I hope at the very least it convinces us that there are more ways to ‘speak’ than with words. In my films, I’ve tried again and again to attempt a cinema where strongly held beliefs, political sentiment, existential longing, even historical reverie might be presented and argued non-linguistically.”

 
W120

Pedro Aguilera

“For me filmmaking is like a discovery. Like finding a treasure that you later share.”

 
W120

Claire Denis

“Even if it's the dream of a voyage, I think it was very important for me that the film offer the two sides of the globe.”

 
W120

Shôhei Imamura

“I show true things using fictional techniques but maintaining truthfulness — that's where my approach differs from Ozu. He wanted to make film more aesthetic. I want to make it more real. He aspired toward a cinematic nirvana. When I was his assistant, I was very opposed to him, but now, whilst still not liking his films, I'm much more tolerant. As for me, I'd like to destroy this premise that cinema is fiction.”

 
W120

Bertrand Bonello

“Mythology was the result of a polytheist society, today the oracle of my film who tells people their future clashes with Church dogma.”

 
W120

Rúnar Rúnarsson

“That feeling of standing on the edge of a cliff and having to reach the other side. When a character has to make an important decision or is forced to act, for better or for worse, he sets off big changes in his life. It's not just fiction. We all have to go through a transitory period like this.”

 
W120

Andrzej Żuławski

“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”

 
W120

Joachim Trier

“I think, to create reality in film, you still have to go through constructedness; you gotta go through a process of artifice anyways. I'm not one of those people who thinks, "Oh, the real person will seem real on the screen;" to create something that is seemingly real takes a lot of work. But having said that, I try to structure the scenes quite tightly, but then within that, leave them some space to go unexpected places.”

 
W120

Léos Carax

“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”

 
W120

Angela Schanelec

“For me it is something special, not to be alone. I’m interested in what people do in order not to be alone, what burdens they carry.”

 
W120

Julia Loktev

“For me cinema is image, sound, and the faces and bodies and, yes, voices, of my actors, and sometimes the words that they are saying, but not only the words.”