“If we gain nothing from experimental film, I hope at the very least it convinces us that there are more ways to ‘speak’ than with words. In my films, I’ve tried again and again to attempt a cinema where strongly held beliefs, political sentiment, existential longing, even historical reverie might be presented and argued non-linguistically.”
“I show true things using fictional techniques but maintaining truthfulness — that's where my approach differs from Ozu. He wanted to make film more aesthetic. I want to make it more real. He aspired toward a cinematic nirvana. When I was his assistant, I was very opposed to him, but now, whilst still not liking his films, I'm much more tolerant. As for me, I'd like to destroy this premise that cinema is fiction.”
“That feeling of standing on the edge of a cliff and having to reach the other side. When a character has to make an important decision or is forced to act, for better or for worse, he sets off big changes in his life. It's not just fiction. We all have to go through a transitory period like this.”
“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”
“I think, to create reality in film, you still have to go through constructedness; you gotta go through a process of artifice anyways. I'm not one of those people who thinks, "Oh, the real person will seem real on the screen;" to create something that is seemingly real takes a lot of work. But having said that, I try to structure the scenes quite tightly, but then within that, leave them some space to go unexpected places.”
“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”
“For me cinema is image, sound, and the faces and bodies and, yes, voices, of my actors, and sometimes the words that they are saying, but not only the words.”