“The filmmakers that I have always admired, Altman, Godard, etc., have all been obsessed with the multi-layering of film. For many years, I have been trying to pack in as many ideas into each film as possible. However, it wasn’t until the digital film revolution that I became aware of the possibility of splitting the screen and doing more complex sound mixes.”
“There’s almost a fear that if you understood too deeply the way you arrived at choices, you could become self-conscious. In any case, many ideas which are full of personal meaning seem rather banal when you put words to them.”
“I wanted to make a fake Paris, a Paris of dreams, like in my head when I was twenty and I arrived in Paris for the first time. I wanted to avoid the bad things: traffic jams, dog shit on the street, the rain.”
“People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at. ”
“I use it [hand-held-camera] in order to enable actors to move around freely because I want them to be truthful at all times and that means they should be able to move and not be bound by a fixed camera position. I think if it's used for style it's a mistake. It's there to do something very specific.”
“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
“People love seeing violence and horrible things. The human being is bad and he can't stand more than five minutes of happiness. Put him in a dark theater and ask him to look at two hours of happiness and he'd walk out or fall asleep.”
“Perhaps it makes sense that a woman whose earliest memory was on the set of Apocalypse Now would grow up to direct a dark fable about five adolescent girls who unapologetically and unceremoniously kill themselves...”
“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”