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In An Expression's Favorite Auteurs

Displaying auteurs 1 - 20 of 48 in total
W120

Shane Carruth

“It was a huge risk. I quit my job that paid fine. I could have had a family and probably survived as a software engineer pretty well. But I quit all that to do this.”

 
W120

João Botelho

“On my films I'm the director but also the editor and I often take care of the photography and sound. This gives me a great liberty of action. The film is for nobody, but at the same time it presents the best of me.”

 
W120

Joachim Trier

“I think, to create reality in film, you still have to go through constructedness; you gotta go through a process of artifice anyways. I'm not one of those people who thinks, "Oh, the real person will seem real on the screen;" to create something that is seemingly real takes a lot of work. But having said that, I try to structure the scenes quite tightly, but then within that, leave them some space to go unexpected places.”

 
W120

Agnès Varda

“I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.”

 
W120

Rainer Werner Fassbinder

“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”

 
W120

Dennis Hopper

“Like all artists I want to cheat death a little and contribute something to the next generation.”

 
W120

Andrei Tarkovsky

“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”

 
W120

Harmony Korine

“When I was a child the temptation to sin was always a romantic option. This romantic option lead me to the cinema, a place where sin was welcome.”

 
W120

Claire Denis

“Even if it's the dream of a voyage, I think it was very important for me that the film offer the two sides of the globe.”

 
W120

Alain Resnais

“I'm always in search of special nonrealistic language that has musicality. ”

 
W120

Peter Kubelka

“I like the extremes so to speak: either a cinema which is occupied by intelligence and specificity of the medium, or a fully Hollywood film, with its great means, it’s spectacular tricks and it’s stupidity of cutting, the banality of its content, etc.”

 
W120

Jean-Luc Godard

“A story should have a beginning, a middle, and an end... but not necessarily in that order. ”

 
W120

Joel Coen

“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”

 
W120

Ethan Coen

“We create monsters and then we can't control them. ”