“Some people can do great things with CG, but that world just doesn’t interest me or inspire me. I’ve never felt really creative or intuitive using software. I like paper and pens and paint. I need to angle real lights on my artwork and work with my hands and build props. Computers just take all that fun out of it.”
“Every film I've done has been a Western. The Western is ultimately a stripped down moral universe that is, whatever the dramatic problems are, beyond the normal avenues of social control and social alleviation of the problem, and I like to do that even within contemporary stories.”
“Some people think that horror films are some sort of second class filmmaking, and the only way to bypass that thinking is being proud of the fact that we do it.”
[On H. P. Lovecraft] That's the thing, he used his phobias. Fear of things that are different or unknown is sort of a central theme to a lot of his stories.
“NC-17 means that you get it in like 3 theaters. They won't run the spots on TV, won't run the advertising. It's the kiss of death so there was really no other choice.”
“I keep going back to the Forties and Fifties for films, I go back to the Twenties and Thirties for music. For some reason I really like these films from the Forties and Fifties, whether they’re American, French, whatever… I can’t quite put my finger on it, “dark” is the best way I know to describe the quality that I like in them.”
“My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end. ”
“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”