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annahara's Favorite Auteurs

Displaying auteurs 1 - 20 of 53 in total
W120

Roberto Rossellini

“I am not a pessimist; to perceive evil where it exists is, in my opinion, a form of optimism.”

 
W120

Stan van der Beek

“No. Film is an art in evolution. It is the dark glass for the physical and visual change in motion about us. How is it then that we are suffocated with the cardboard cut-out poetry of Hollywood?”

 
W120

Kenji Mizoguchi

“You must put the odor of the human body into images...describe for me the implacable, the egoistic, the sensual, the cruel...there are nothing but disgusting people in this world.”

 
W120

Pier Paolo Pasolini

“The mark which has dominated all my work is this longing for life, this sense of exclusion, which doesn't lessen but augments this love of life.”

 
W120

Lucrecia Martel

“From the very beginning, even when I’m writing, I think a lot about the sound. Many elements of my work in cinema come from oral storytelling and oral tradition. I think about sound and the rhythm of the sound.”

 
W120

Aleksandr Sokurov

“The surface of the screen and that of the canvas are one and the same.”

 
W120

Maurice Pialat

“What I try to do, with the actors' consent, is to create something by beginning with a set situation that we can deviate from in the course of the shoot. ”

 
W120

Aki Kaurismäki

“Cinema is dead. It died 1962, I think it was in October!”

 
W120

Ernst Lubitsch

“There are a thousand ways to point a camera, but really only one.”

 
W120

Audrius Stonys

“I love silence. Silence is a powerful tool in cinema language. It gives space for the imagination and contemplation. Silence is not a hole in a soundtrack. It has many colours and meanings.”

 
W120

Jiří Menzel

“With his debut feature film Closely Watched Trains (1966), Czechoslovakian filmmaker Jirí Menzel became an important member in Czech New Wave cinema and won an Academy Award.”

 
W120

Sergei Dvortsevoy

“Documentary for me is like some kind of absurdity. The worse for people it is, the better for the director. At the same time, the most interesting films you see are on the borderlines. Documentary is only on the borderlines for me.”

 
W120

José Luis Guerín

“I don’t see cinema in terms of Spanish, French, European or American. I think we should see cinema as a separate continent; the only continent I understand is the continent of cinema.”

 
W120

João César Monteiro

“I will be dust, but dust in love.”

 
W120

Hong Sang-soo

“When I finish a film, I feel like I have overcome a certain hurdle. It's really good for me as a human being, and I hope that for some people, my films will do the same thing.”

 
W120

Ermanno Olmi

“...our wars of machines and technology make 'progress' ever more impersonal and deadly - a 'progress' that has not guaranteed man's human, moral, and civil growth.”

 
W120

Gunvor Nelson

“I have made both surrealistic and expressionistic films, but I prefer the term “personal film.”

 
W120

Michelangelo Antonioni

“Hollywood is like being nowhere and talking to nobody about nothing.”

 
W120

Jean Rouch

“I don’t think there’s any border between science and art. All the fiction films I have made were always on the same subject,—a discovery of the “Other,” an exploration of difference.”