“Ninety years ago politicians told us we had to believe in Marxism and Leninism. Fifty years ago they told us we had to follow Chairman Mao’s words and join the Cultural Revolution with passion. Thirty years ago they told us we had to reform and open up. Ten years ago they told us that making money was of great importance, while two years ago they told us everything was for the Olympics.
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“When I finish a film, I feel like I have overcome a certain hurdle. It's really good for me as a human being, and I hope that for some people, my films will do the same thing.”
“In my films the landscapes connect the characters to a sense of something cosmic. I try to recapture those moments in life where you suddenly feel that connection to a wider universe.”
“I wanted to create a big lie, meaning the opposite of the documentary-style, naturalist, contemporary films I've been doing.... So far I've tried to use naturalism to search for reality, but now I will try total fiction to search for that reality. ”
“What justifies a movie? It’s the reaction it causes in people who see it, professionals or not – the “echo” it finds in certain people. But it is obvious that the critics and the prizes help a little in the visibility of films.”
“The body always plays an important role in my films. You could say the body is the most beautiful thing we have or you could say it’s the ugliest thing we have. We can sell bodies, we can adore or worship bodies.”
"There are several good ways of making French films. Italian style, like Renoir. Viennese, like Ophuls. New Yorker, like Melville. But only Becker was and is French as France, French as Fontenelle’s rose and Bonnot’s gang." —Jean-Luc Godard
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
“I was the leader of the Taiwanese new wave. All these guys would just gather in my house, talking and laughing and drinking: Hou Hsiao-hsien, Wu Nien-jen — just about all of them. You could just push open the door. Everyone just wanted to do similar things. We weren’t allowed to, and no one was willing to give us any money to, but we shared all these idealistic thoughts.”
I liked Takahata’s very much, because every one of his films surprises me, I think he has lots of cheek. He is always low profile, but he is very daring. Changing the kind of story every time, changing style, message... (Michel Ocelot, Director)
“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”