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Jordany's Favorite Auteurs

Displaying auteurs 1 - 20 of 138 in total
W120

José Val del Omar

“Life is only a slowed-down explosion, and I try to compress it to turn it into ecstasy: into eternal instant.”

 
W120

George Kuchar

“I get up late after editing ‘til dawn, soil some kitchenware, feed the cats and then go out for exercise so that my mid section doesn’t expand so much when I sit down at the editing bench once again.”

 
W120

Gregory J. Markopoulos

“For me, locations and beautiful people have always been the backbone of my work.”

 
W120

Jean Cocteau

“Emotion resulting from a work of art is only of value when it is not obtained by sentimental blackmail. ”

 
W120

David LaChapelle

“My pictures are about getting as far away from reality as possible. Dreams should be part of our everyday life.”

 
W120

Jean Vigo

[on his film, Nizza] “In this film, by showing certain basic aspects of a city, a way of life is put on trial. The last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”

 
W120

Pen-ek Ratanaruang

“In Last Life In The Universe we wanted the audience not to notice when the music comes in or when it goes out. It's there to create atmosphere. I'm drawn to any style of music as long as it's sad. I'm very fond of depressing music. I think it's beautiful.”

 
W120

Brian De Palma

“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”

 
W120

Arnaud Desplechin

“Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare...”

 
W120

Jia Zhangke

“I believe that it doesn't really matter how large an audience my film gets; as long as my films can be shown in China, and there can be any kind of real market for them here, that would be hugely significant for me personally.”

 
W120

Léos Carax

“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”

 
W120

Kim Ki-young

“I just make films by following my heart, so the analysis I leave to all of you.”

 
W120

Tinto Brass

“A face can be painted over with make-up, conceal its age or impurities; a mouth can spew cruel lies. A butt is definitely more honest than that.”