About
Inferno

Such an experimental follow-up to *Suspiria*; has a similar (and, for me, similarly disappointing) ending. I’m slightly in love with the fact that the film switches central protagonists about every 30 minutes or so, and remains an unrelentingly hopeless proposition for all involved. Enjoyed the Rome apartment scene, Sacha Pitoëff, and the architect’s soundboard especially. Also how effective his use of music was.