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L'eclisse

Absolute masterpiece. Antonioni defines here modern cinema at its best and develops between poetry and fear the possible emptiness of our lives. It looks like all the environnement is always acting against Vitti's character (looks humourous that her name in the film is Vittoria), the wind in the trees, the structure of objects, of appartement. Looks like the anti-Malick, as Antonioni seeks emptiness in the world.