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The camera work reminded me a lot of that in the movies of Roy Andersson, and here too it served the purpose well. The static frames made you feel helpless and cowardly, as were all the bystanders in the movie of whom no-one interfered with the portrayed bullies and their victims. Which of course happens all the time in real life. This movies makes you ask questions about yourself, and only truly great movies do that
 
Dylan Jones and Pedro Tavares like this