About
Stalker

It is with films like these that I feel like saying "deep philosophical questions" or "beautiful and cinematic visuals," choose one. I don't think you can have both. Some people call Stalker visual poetry. I shall call it visual literature, in a somewhat negative way. How can you delve into so deep subject matter and allow yourself only the length of a film (even if it is 163 minutes) to try and address it?