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Into-the-abyss About
Into the Abyss

Herzog states that his respect for Perry & Burkett doesn't hinge on believing their story or liking them as people, yet it seems the director's natural tendency is to like everyone. Seeing these rednecks communicate & miscommunicate amiably w/ the German is the film's main pleasure. ITA doesn't shy from the crime's horror but admits that horror fades w/ age. Did Herzog himself smuggle Burkett's jizz out of prison?