“We decided on it going in, to have the style of the film emulate the visual aesthetic of the early Black Metal records. And that even went as far as, not just the gritty lo-fi stuff but you know, we shot a lot of the exteriors in 35[mm] and the setups for the interviews. And a lot of these records will have these beautiful pictures of the Norwegian landscape or these really lo-fi, almost Xerox-quality pictures of themselves and we just decided that would be a good way to have the aesthetic of the film be. So that was the first thing that we did when we went over there was to just test different cameras and stuff and try to get the look we wanted.”