Para disfrutar de una experiencia mejor en MUBI, Actualiza tu buscador
857 রেটিংসমূহ

Lola Montès

পরিচালনা করেছেন Max Ophüls
ফ্রান্স, পশ্চিম জার্মানি, 1955
ড্রামা, রোমান্স


Lola Montès is a visually ravishing, narratively daring dramatization of the life of the notorious courtesan and showgirl, played by Martine Carol.

এই ফিল্মটি এখন প্লে না করা হলেও অন্য 30টি অসাধারণ ফিল্ম MUBI তে দেখানো হচ্ছে। এখন কী দেখানো হচ্ছে তা জানতে এখন দেখানো হচ্ছে এ যান
Lola Montès পরিচালনা করেছেন Max Ophüls
In Ophüls’s final effort, the once notoriously divisive but now universally beloved Lola Montès (1955), the swirling delirium of his camera reaches a fever pitch. . . . Ophüls’s only color and widescreen effort, Lola is an impossibly lush, swooning masterwork. The heroine’s dalliances are all colored by bitterness and failure, but they also evoke the immediate passion of their given moments; over and over, we watch love bloom even as we already know that it’s doomed.
January 05, 2018
সম্পূর্ণ আর্টিকেল পড়ুন
The tableaux flamboyantly fill the space of the circus, reaching to its very top with Lola’s rise to power and fame, while a death-defying plunge down into a small net, precariously placed just above the floor of the ring, represents her fall. The tableaux trigger flashbacks into Lola’s memory… These scenes are constantly de-naturalised, however, by Ophüls’ extraordinary mise en scène: real-life landscapes are coloured and manipulated almost like film sets.
December 22, 2016
সম্পূর্ণ আর্টিকেল পড়ুন
The film is a colossal spectacle about colossal spectacles, and the extravagant palette, the cavernous sets, and the wide-screen images in which Ophüls entombs Lola (and Carol) contrast cruelly with the real-life pathos of the femmes fatales, which the director’s own magnificent artistry both exploits and exalts.
April 15, 2016
সম্পূর্ণ আর্টিকেল পড়ুন

মানুষ কী বলছে?

  • tidal waif's rating of the film Lola Montès

    +A tad too gaudy for my admittedly non-palatine palate, Lola Montes is interesting for the feedback loop of memories and accrued somatized discomfort it plays through its central character, each reenactment of a disreputed life dragging to surface layers that seldom fail to take a toll. Lola is a witch of yore in updated costume: her ambivalent cult involves both the spell of celebrity and gleeful joy at her burnout.

  • Richmond Hill's rating of the film Lola Montès

    A gorgeous mise en scene and heady colour palette are the chief delights - if not raison d’etre - for viewing this otherwise stiff narrative cadaver which offers little tangible insight into the motivations or mores of Montes. The episodic structure doesn’t help and one leaves the film elated by it’s exquisite art direction but little else, although the freak show exploitation is rather chilling.

  • Duncan Gray's rating of the film Lola Montès

    Seen on 35mm, with Marcel Ophuls present. This may be Max Ophuls at his most abstract, which is still endlessly inviting: it begins on startling surreal harshness, moves through melancholy and joy, and ends on a note sadder than if it took the more melodramatic way out. Along the way, it writes (in calligraphy) an eloquent version of female notoriety that everyone from Ingrid Bergman to Miley Cyrus could relate to.

  • rian's rating of the film Lola Montès

    I used to dislike Ophuls cinematic style because of Letter From an Unknown Woman and La Ronde, i find them too melancholic and uninteresting plot-wise, but this film.. everything are just perfectly placed, it has Mannerist composition quality, every movement are articulately calculated. The Brechtian distancing used very effectively on Lola. the criticism of aristocracy, both in social and cinema are hilarious.

  • Mark Ayala's rating of the film Lola Montès

    Upon a second viewing, this film left me tremendously cold and empty compared to "La Ronde", "The Earrings of Madame De..." and "Letter from an Unknown Woman". It lacked their beautiful mix of sadness and joy. Maybe I'm missing something, but I plan on watching it again for a third time and to give the commentary a good listen to. I love Ophuls and felt awful that I didn't like this film as much as I wanted to.

  • This is Jake Kath's rating of the film Lola Montès

    Disappointment. A BIG disappointment. The visual splendor of the movie just couldn't find the mediocre storyline! Though, the circus acts contained the playful poetry I was expecting.

  • William R Clark's rating of the film Lola Montès

    3.5, the ambition is just to take his marvelous command over the craft and deploy it like sandpaper to wood. Montes is not only more passive than I imagined, but also with less interiority, a decision which serves to buttress the high level of aesthetic pretension while making it all feel a little disingenuous. The clown/manager actor gives so much to his role, you realize what you're missing. Brilliance, at a cost.

  • Jdsarmientoburgos's rating of the film Lola Montès

    I can recall exactly how beautiful this film looked but almost nothing that happened in it. A true cinematic beauty without a doubt but needs a rewatch before I can truly digest this it. Ophüls might not be for me.

সংশ্লিষ্ট কিছু ফিল্ম