Acclaimed director Hong Sang-soo goes abroad to make this film about a Korean man escaping a jail sentence by flying to Paris, where he tries to think of his wife as he falls in love with other girls and Paris itself.
এই ফিল্মটি এখন প্লে না করা হলেও অন্য 30টি অসাধারণ ফিল্ম MUBI তে দেখানো হচ্ছে। এখন কী দেখানো হচ্ছে তা জানতে এখন দেখানো হচ্ছে এ যান
Here, Sung-nam is deeply and profoundly lost. Hong's clear and consistent gaze only intensifies our scrutiny as he engages in a series of stunted relationships, full of false assurance and empty words. His baser fantasies are documented in dream sequences while his actual misdeeds are implied in ellipsis. What emerges is a beautifully rendered yet mildly off-putting portrait of male narcissism.
A dream is a point of view you can see all the complexities of life collapse around an ordinary person a fool who gives up his inventions his love his life that to pick up another he would have claimed that the one he has now is false life in a charmed circle an elaborate mirror of clumsy bourgeoisie where everyone is bourgeoisie; overrun by jealousy and emotional expense instead of pressing human affairs.
I couldn't stop watching this, even as it slowly and awkwardly meandered its way in and around Paris, then back to Korea. You have to admire Hong's patience with his characters, no matter how absurdly juvenile they may be. The payoff is painfully funny. At one point, I thought I saw Rohmer's spirit peaking through the clouds.
This may be the funniest film of the last decade. And not only that, but Hong is developing his own trademark camera work, one that is as distinct, albeit much more restrained, as that of Fassbinder. Hong is only one of a handful directors working today who has not yet made a single bad film.
Digital, rewatched. False diary, intermittent diary, constant derision. The first film that i saw from this filmmaker, and one of the rare ones that premiered in Lisbon. Now, after the knowledge of most of his films, i've surpassed yesterday's surprise by the reiteration of his constant, brilliant, and very particular, ironic demiurgy. Another of the contemporary filmmakers that interests me the most.
Another Hong Sang-Soo masterpiece and a film that only he could make. Night and Day is a film of deep, complex, and adult emotions and situations; a film where the protagonist is left stranded in a foreign world and left to fend for himself; or so it seems until the film's tumultuous and perplexing ending that is straight up Bunuel-esque. Just brilliant.