What do a group of model-train enthusiasts and the legendary film critic and painter Manny Farber have in common? These two lines intersect in cultural inquisitor Jean-Pierre Gorin’s lovely and distinctly American film.
এই ফিল্মটি এখন প্লে না করা হলেও অন্য 30টি অসাধারণ ফিল্ম MUBI তে দেখানো হচ্ছে। এখন কী দেখানো হচ্ছে তা জানতে এখন দেখানো হচ্ছে এ যান
From his experience with the Dziga Vertov group, Gorin retains an approximation to what is external to the world's complacency, looking Manny Faber and a community through its idiosyncrasies. It's a structuralist experience of cinema's capabilities to establish a dialogue by analogies, between the practices that individualize and can approach individuals, through a text of pleasure that includes cinema itself.
Exquisite lyrical work that multiplies its meanings in all directions, situated after the Marxist white elephant of Gorin's past/elsewhere, and the termite present of the here/now, which however resolutely ruptures any hint of its own dialectical strategies by opening up orthogonal oppositions within the terms of the dialectic (contd. in comments)