I love Tabu. It seems like it has been joyfully jerry-rigged to represent all that is most wonderful in contemporary cinema. It is supremely global, though two key influences also have a Portuguese connection. The big one is Ruiz. But earlier Ruiz, primarily. Then, almost completely unrelated, Pedro Costa, I suspect consciously, in the first half. The split-in-two structure and use of sound also invoke Apichatpong.