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34 দিনের মধ্যে আসছে
147 রেটিংসমূহ


পরিচালনা করেছেন Matías Piñeiro
আর্জেন্টিনা, 2012


A group of actresses performing in a production of Shakespeare’s “Twelfth Night” get caught up in a web of romantic intrigue and revelation.

Viola পরিচালনা করেছেন Matías Piñeiro
Whereas most filmmakers taking on Shakespeare find inspiration (rightly or wrongly) in his dramas, this modest, sly Argentinean has unlocked the cinematic possibilities of the comedies, reveling in the potential of their artifice to delight and transport us, and even, perhaps, to teach us something, across a span of ages, about living and working in love.
April 01, 2015
সম্পূর্ণ আর্টিকেল পড়ুন
It’s misguided to term the movie you’re about to watch as “Matías Piñeiro’s Viola” or, say, “Viola (Matías Piñeiro, Argentina)” He’s the guide of the movie, the writer-director, but he doesn’t own it. Once written, he gives it over to his actors, a regular ensemble of supremely gifted players mostly trained in theater, and collectively, they make the movie together. Viola, like everything they’ve made before, is a group project with no true author. The auteur theory itself is challenged here.
March 25, 2014
সম্পূর্ণ আর্টিকেল পড়ুন
What [a viewer less open to the film’s nearly free-associative way of thinking] would be missing is the real substance behind Viola’s initially inscrutable array of poetic linkages: the idea that intellectual schemas, logical formulas and habitual modes of interpreting the world are only there to distract us from the inestimable value to be found in “merely” luxuriating in surface pleasures.
July 19, 2013
সম্পূর্ণ আর্টিকেল পড়ুন

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