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Photo of Ewa Partum
“In Poland, during the seventies, avant-garde art was a male-only domain. Even in the late sixties those artists and critics were not aware of what I was doing. A good example of this was my early project Obecność/Nieobecność (Sopot 1965). The male avant-garde artists were completely oblivious that this was the direction in which art would soon develop.”

Director

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