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Tomás Gutiérrez Alea


“Many people went to see MEMORIES more than once, and some returned as many as four or five times. That does not happen with many movies. It makes me think that the film hit its mark, which was, first and foremost, to communicate with the Cuban public, not with audiences from other countries. It achieved its goal in the sense that it disturbed and unsettled its audience; it forced people to think.”



Tomás Gutiérrez Alea came from a progressive middle-class family. Born in Havana in 1928, Alea experienced a vivid career, one closely tied to the history of his country. Fidel Castro was his classmate when he studied Law at the University of Havana, where he was already engaged in making films for the Communist Party. In 1951, he enrolled at Italy’s Centro Sperimentale di Cinematografia, one of the first international film schools. There he received exposure to films from around the world. He returned to Cuba to make the Neorealism-influenced El Megano; a film about the exploitation of charcoal burners. The film was seized by the authorities of Fulgencio Batista’s government after a screening at the University campus. In the years leading to the Cuban Revolution, Alea was employed making short documentaries for Television. Upon Castro’s victory, Alea was placed in charge of building Cuba’s national film institute – ICAIC (The Cuban Institute of Cinematographic Art and Industry). read more


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Picture of Nelson Núñez

Nelson Núñez


¿Historias de la Revolución?....¿Cumbite?...¿Una Pelea Cubana Contra los Demonios?

Picture of Malik



Profile is updated, yes. I need to submit more of his films now.