Thoughtful, quiet, and deeply sympathetic, Kore-eda's film comprises multiple narratives, large and small, affectionately seeking out singular moments in the lives of its characters (which include a prostitute, a little girl, and, in a nod to Ikiru, a stifled businessman named Watanabe)... With its meditative, humanistic tone, After Life is the cinematic reminiscence of limbo itself, this transitional space of contemplation and nostalgia.
Leo Goldsmith
February 24, 2005