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Le mépris

Instrueret af Jean-Luc Godard
Frankrig, 1963


Contempt stars Michel Piccoli as a screenwriter torn between the demands of a proud European director (Fritz Lang), a crude, arrogant American producer (Jack Palance), and his disillusioned wife, Camille (Brigitte Bardot) as he attempts to doctor the script for a new film version of "The Odyssey".

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Jeg elskede dig i går Instrueret af Jean-Luc Godard
A prescient exercise in meta, this brilliant movie traces the deterioration of a screenwriter’s marriage, which parallels the film based on The Odyssey (directed by Fritz Lang, suavely playing himself) that the writer is hired to rewrite. Here love brings out the worst machinations in people, as Georges Delerue’s elegiac score strikes a moving and unsettling juxtaposition of the exaltation and meanness of human life.
August 17, 2016
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I first saw Le Mépris many years ago in a print so faded that everything was pale pink; it felt like gazing at an artefact from an immeasurably distant past. Watching the film now, with its reds and Mediterranean blues restored to their full intensity, the film is still redolent of a lost antiquity, not least because Jean-Luc Godard’s 1963 feature is so steeped in melancholy and a sense of mourning.
January 03, 2016
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it is a full and immensely satisfying work, its tensions and teasing contradictions, moral, cinematic and intellectual, making it as exhilarating, alive and modern a film as any… The repeated motifs and melodies themselves combine, as does the movie, the classical and the modern, deepenening the meanings and the mixed emotions of defiance and nostalgia that make Le Mépris so very affecting and – a word Godard would be proud of – so very beautiful.
December 29, 2015
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