En dobbelt undercover historie, hvor en politimand infiltrerer en bande, samtidig med at en gangster får sneget sig ind i den samme politigruppe, som efterforsker hans bande. Hvis bedrag vil først blive opdaget? Hver især lever de et dobbeltliv – og de mænd begynder at jagte hinanden.
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Over time this film has become known as the basis for Martin Scorsese's The Departed, but it still stands on its own. Tony Leung is very good, but I think it's Andy Lau who owns the movie. You don't really know which side his character really serves until the end of the movie.
The film that got Scorsese his first Oscar is a remake of this wonderful film, a very perplex and masterfully weaved chess match of wit and ingenuity. The scenario deserves all possible accolades and the directing is very sharp indeed.
A very thrilling morality play, handled with operatic panache across complex plotting. It never lets slip, remaining focused, sharp-edged and firm-handed throughout. What a treat. The style is more or less where modern Bond films should be (not disappearing up their own mythology as they have). Having a soft spot for ‘Honkers’ myself helps, although this is far from the air conditioned walkways of Central as you get.
Rated The Departed the same, although I prefer this to Scorsese's remake. IA is a much leaner affair, w/ none of the unnecessary bloat of the Wahlberg and Nicholson characters. Lau's character in IA is much less two-dimensional than his Matt Damon counterpart in TD, but DiCaprio's character is better fleshed out than Tony Leung's. I did like TD's twist of having both men involved with the same woman, but IA is sleek.