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Ung flugt

Les quatre cents coups

Instrueret af François Truffaut
Frankrig, 1959


Truffaut’s cinematic figurehead, Jean-Pierre Léaud, is living a childhood populated with absent or oppressive role-models and petty crime. Based on the trials and tribulations of the director’s own experiences, this was part of the cinematic innovation that birthed the New Wave.

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Ung flugt Instrueret af François Truffaut

Priser & festivaler

Cannes Film Festival

1959 | 2 vindere including: Best Director

Academy Awards

1960 | Kandidat: Best Writing, Story and Screenplay - Written Directly for the Screen

Gentle but never sentimental, The 400 Blows isn’t just the best of the five films in the cycle that follows Doinel’s growth (and occasional regression) through 1979’s Love on the Run — it’s also one of the greatest ever made about the injustices of childhood.
March 28, 2017
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A precocious fluidity carries the mixture of hardness and lyricism, childhood’s frustrations for Truffaut are never far from its lilting delights. Antoine’s night on the streets (complete with a cameo from Rebel Without a Cause’s milk bottle) affords a sharp snapshot of Pigalle in winter, the centrifugal carnival ride becomes a giant zoetrope lantern (cf. Bergman’s Fängelse).
September 21, 2015
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Allowing a victimised child to be less than wholly sympathetic – in ways that only a real-life child could ever be – Truffaut consolidates The 400 Blows as an act of rebellion. It is not just Antoine who is a rebel, or Truffaut on whose early life the film is based. The film, in its conception and mise en scène, constituted an all-out rebellion against the established tenets of French cinema.
July 11, 2014
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