Foto von Jeanie Macpherson
Foto von Jeanie Macpherson

Jeanie Macpherson

“All I knew was that I wanted to act. Then someone told me about motion pictures, how drama was filmed. I was fascinated.”

Im Programm

    JOAN THE WOMAN

    CECIL B. DEMILLE USA, 1916

    Das frühe Werk von Hollywood-Showman Cecil B. DeMille bringt die Erwartungen an geschichtlich überlieferte Weiblichkeit in die Bredouille. Das Jeanne-d’Arc-Epos war DeMilles erster historischer Film, für den er die berüchtigte Opernsängerin Geraldine Farrat in der Titelrolle besetzte.

    ZUSTÄNDE WIE IM PARADIES

    CECIL B. DEMILLE USA, 1919

    Preceding Ruben Östlund’s splashy Triangle of Sadness by more than a century, Cecil B. DeMille’s prescient satire gleefully turns upper-class snobs into island castaways. Deprived of her luxurious comforts, Gloria Swanson’s snotty yet endearing socialite learns a tough lesson about life—and love.

    THE WHISPERING CHORUS

    CECIL B. DEMILLE USA, 1918

    Considered one of the earliest cinematic examples of the psychological drama, Cecil B. DeMille’s crime-and-punishment parable is a visionary masterwork. Employing then-nascent techniques of superimposition and parallel editing, The Whispering Chorus scales the weight of a guilty conscience.

    THE AFFAIRS OF ANATOL

    CECIL B. DEMILLE USA, 1921

    Based on a play by Arthur Schnitzler, who also penned the source novel behind Eyes Wide Shut, Cecil B. DeMille’s sex comedy fizzes with naughtiness. Delightfully flighty as an upper-class newlywed, Gloria Swanson ushers in the roaring twenties and its carefree attitudes towards love and marriage.

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