Wunderschönes, faszinierendes, unglaubliches Kino.
Ichikawa dramatizes alienation in his remake of Kawabata’s Koto, where twin sisters long-separated meet again and must face a dramatized estrangement.
Ichikawa dramatizes alienation in his remake of Kawabata’s Koto, where twin sisters long-separated meet again and must face a dramatized estrangement.
