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3.8
1.075 Bewertungen

Erotische Geschichten aus 1001 Nacht

Il fiore delle mille e una notte

Italien, Frankreich, 1974
Komödie, Drama, Fantasy

Darum geht's

To realize this ambitious treatment of a selection of stories from the legendary “The Thousand and One Nights”, Pasolini focuses on the book’s erotic tales. Full of lustrous sets and costumes and stunning location photography, Arabian Nights is a fierce and joyous exploration of human sexuality.

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Erotische Geschichten aus 1001 Nacht Regie Pier Paolo Pasolini
Pasolini really succeeded in adhering to the deepest meaning of the text, of the epic narration and storytelling, without adding any element of pathos, psychological feelings, or sentimentalism—which would have been a very easy pitfall. He just tells the story the way it is without adding to it.
December 03, 2018
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Pasolini’s final film of the trilogy has both a looser and a tighter narrative structure than the previous two. Tighter because the love story of Zumurrud and Nur ed Din provides a beginning and an end to the story we watch. Looser because, within that structure, the fluidity of the narration is even more marked, as the film effortlessly glides from story to story.
November 13, 2012
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Though the relentless objectification of the frolicking bodies looks forward to the cool Sadean ferocity of Salo, the style is light, casual, frivolous—it doesn’t have the intensity or obsessiveness of pornography, yet it doesn’t seem to have any other point. A typical puzzlement from Pasolini, a major figure who never made a major film.
January 01, 1980
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