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In der Glut des Südens

Days of Heaven

USA, 1978

Darum geht's

In der Glut des Südens erzählt die Liebesgeschichte zwischen Bill und Abby in Zeiten der Industrialisierung am Anfang des 20. Jahrhunderts.

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In der Glut des Südens Regie Terrence Malick

Auszeichnungen & Festivals

Cannes Film Festival

1979 | Gewinner: Best Director

Academy Awards

1979 | Gewinner: Best Cinematography

1979 | 3 Nominiert unter anderem: Best Costume Design

National Board of Review

1978 | 2 Gewinne unter anderem: Best Film

Throughout the film, Shepard lingers somewhere outside of its center of gravity. . . . Malick’s dialogue is sparse and the character is shy, so Shepard does much of his acting through facial expressions, which are so subtle they barely feel like acting. His penetrating gaze seems to look beyond the camera. Like a silent film star, he can speak volumes without as much as a word.
July 05, 2018
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Who would have predicted that DAYS OF HEAVEN would be the most influential American film of the past ten years? A number of movies would be almost impossible without its influence—THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD, THERE WILL BE BLOOD (which tipped its hat by employing DAYS’ ingenious production designer, Jack Fisk), most of the work of David Gordon Green—that Malick’s unprecedented approach has come to seem almost familiar.
November 16, 2012
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It’s always a shock to discover that Days of Heaven runs a mere 94 minutes; its scale is so impossibly vast, its perspective so breathtakingly cosmic, that wrapping your arms around it seems a fool’s errand. But if Malick’s movie tells us anything, it’s to be humble in the face of the monumental.
June 28, 2012
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