Wunderschönes, faszinierendes, unglaubliches Kino.
Conceived as a slapstick comedy, Cunningham’s nod to the improvised farces of the Italian 18th century commedia dell’arte and to the two-reel comedies of the silent screen. The score by Pat Richter functioned like the piano accompaniments to silent films.
Conceived as a slapstick comedy, Cunningham’s nod to the improvised farces of the Italian 18th century commedia dell’arte and to the two-reel comedies of the silent screen. The score by Pat Richter functioned like the piano accompaniments to silent films.