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7.850 Bewertungen

Enter the Void

Regie Gaspar Noé
Frankreich, Deutschland, 2009
Avantgarde, Drama, LGBT+

Darum geht's

Oscar und seine Schwester Linda sind neu in Tokio. Er ist ein Schmalspur-Drogendealer, sie arbeitet als Stripperin. Eines Nachts wird Oscar in eine Razzia verwickelt und erschossen. Während er im Sterben liegt, weigert sich sein Geist die Welt der Lebenden zu verlassen.

Darum sehenswert

Gaspar Noé’s Tokyo-set audio-visual experience is stunning and scandalous—a hallucinatory techno trip exemplar of Noé’s brand of divisive filmmaking. An intoxicating first-person crawl through the city by night, Enter the Void is sensational cinema at its most phenomenal and visceral.

Enter the Void Regie Gaspar Noé
With beauty, mild and sharp jolts, and mesmerizing camerawork, [Noé] tries to open the doors of perception.
September 23, 2010
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It may be an extremely elaborate formal exercise about every man’s desire to crawl back into the womb, turned up a loud notch visually and adapted into every brother’s apparently latent compulsion to both impregnate his sister and suck on her tits. But, dude: I could stare at this movie for days and not get tired of the sensation. A mash-up of the sacred, the profane, and the brain-dead, Enter the Void is addictive.
September 22, 2010
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Both the Tibetan Book of the Dead and psychedelics get insinuated as guides to envisioning nonexistence—the sacred and the profane profoundly coupled, to the point that Enter the Void’s plot starts to smack of silliness: sleaze and the divine piled so high. (Oscar is a drug dealer, his sister a stripper; the film includes an abortion scene.) Noé’s remarkable, hypnotic visuals, however, keep the film (and Oscar) alive, buoyed—perhaps forever—upon a dazzling sea of dreams, movement, and memories.
April 01, 2015
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