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Rette sich, wer kann (das Leben)

Sauve qui peut (la vie)

Frankreich, Österreich, 1980

Darum geht's

An examination of sexual relationships, in which three protagonists interact in different combinations.

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Rette sich, wer kann (das Leben) Regie Jean-Luc Godard
By some measure Godard’s most severe dissection of sexual politics and social expectations, as well as one of his most self-effacing works, this nominal return to commercialism is a radical statement all its own.
June 10, 2015
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Every Man for Himself, with its Brechtian detachment, feels like a ‘60s Godard film. But it also feels more attuned to what is being shown onscreen. Besides a voice-over from Marguerite Duras, the usual range of philosophers and filmmakers are kept to a minimum. In this way, it’s more inward than outward.
March 17, 2015
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Godard used two great cinematographers for this film, Berta and William Lubtchansky, and they provided images that linger long in the mind. However, the great aesthetic emphasis of Godard’s revolutionary period had been sound. If Godard had now rediscovered the joys of the image, partly through the techniques of slow motion that are so crucial to Every Man for Himself, he also wove together a soundtrack of great complexity.
February 19, 2015
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