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4.649 Bewertungen


USA, 1997
Drama, Avantgarde

Darum geht's

Das White-Trash-Leben in Xenia besteht aus Wohnwagensiedlungen und Müllhalden, toten Katzen und Entjungferungsritualen, aus Klebstoffschnüffeln und Fahrradrennen mit geladener Flinte im Death-Metal-Takt.

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Gummo Regie Harmony Korine
The film is alternately crass and tender, exploitive and loving; it revels in the sorts of contradictions that only cinema can engender. Certain images have stayed in my memory for decades: the stone-faced little boy eating spaghetti in a bathtub filled with green water; the black midget wearing a Hatikva t-shirt cheering on an impromptu fight club; a shirtless boy with cloth bunny ears loitering on an expressway overpass.
February 16, 2018
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Gummo is a painstakingly (creatively!) repellant heroin chic cine-scrap book which demands its brave viewers question if what they are watching contains any artistic or intellectual nourishment whatsoever. Or whether it’s all just a bunch of grotesque E numbers set to black metal ditties. This strategy in itself is what great art should do – dismantle its true identity, or at least coquettishly obscure it from outsiders.
January 07, 2016
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It is obvious that Korine meticulously controlled every aspect of the film to his satisfaction. This included a dazzling manipulation of aesthetic features and postmodern strategies—including pastiche, the fragmentation of narrative structure and the breakdown of the distinction between ‘high’ and ‘low’ culture. By rejecting the use of a coherent plot, Korine allowed no rhythm or pace to eventuate, continually jolting the audience and forcing them to question the film that they are viewing.
May 22, 2003
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