Wunderschönes, faszinierendes, unglaubliches Kino.
O’Leary’s second film is a disjointed collage of beautifully shot footage: cityscapes, signs and billboards, nudes and cameos by other French actors/filmmakers of the day.
O’Leary’s second film is a disjointed collage of beautifully shot footage: cityscapes, signs and billboards, nudes and cameos by other French actors/filmmakers of the day.