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Ehemänner und Ehefrauen

Husbands and Wives

Regie Woody Allen
USA, 1992
Drama, Komödie, Liebesfilm

Darum geht's

Als sich ihre Freunde Sally und Jack scheiden lassen, halten auch die Eheleute Judy und Gabe nicht mehr lange durch: Judy verknallt sich heimlich in einen Kollegen, Gabe bandelt mit einer Studentin an.

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Ehemänner und Ehefrauen Regie Woody Allen

Auszeichnungen & Festivals

Academy Awards

1993 | 2 Nominiert unter anderem: Best Actress in a Supporting Role

National Board of Review

1992 | Gewinner: Best Supporting Actress

They denounce rigid exactitude, purposefully rejecting conventional rules of “proper” filmmaking: continuity editing, sharp focus, compositional balance, et cetera. Allen may have abandoned his initial desire to shoot in bristly 16mm, but he and [cinematographer Carlo] Di Palma still managed to retain a jarring hand-held camera, bouncing around jump cuts and erratic movements.
July 28, 2017
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When I first saw “Husbands and Wives,” the audience muttered anxiously when Gabe declined to sleep with Rain. The character passed a test that the real Allen failed. We were watching an emotional snuff film. But if you can factor out the biographical ugliness, “Husbands and Wives” is a key work — a bleak comedy-drama about middle-aged married couples failing to communicate, growing apart and hurting each other terribly.
November 18, 2011
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…Usually, Allen’s ensembles feel mostly like a stringing together of Woody surrogates, yet here he’s often giving up center stage to his costars, and letting them speak for themselves. The result feels something like a work of crosshatch art, where actions pile one on top of the next, both hiding and revealing, and characters’ words are later used against themselves—everyone’s contradictions and hypocrisies are exposed by a precise editing that pits everyone in sharp, dialectical opposition…
January 04, 2007
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