Dieser Dokumentarfilm erkundet einen Teil der umfangreichen, über 40 Titel umfassenden Filmografie der belgischen Regisseurin. Von Brüssel nach Tel Aviv, von Paris nach New York zeichnet er die Orte ihrer Wanderschaft nach.
Dieser Film läuft zur Zeit nicht auf MUBI, dafür aber 30 andere großartige Filme. Schau hier, welche es sind Jetzt auf MUBI
I love Chantal Akerman. This bio/doc is great, although I think it is important to see her work first, not start with this. There are some spoilers for those who have not seen Jeanne Dielman or Saute Ma Ville, and a few of her other films. I recommend starting with her first films and seeing them all chronologically to really feel her process.
Stunning, and in light of Ackerman's untimely death, precious. It's hard to imagine this most alive of filmmakers, this acute and unsparing eye, is no longer with us. A must for anyone who loves the art of film.
My first intro to Chantal Ackerman. I learned much from her and this film. It's a different type of homage to a director. I enjoyed it. I had not realized that she sees the world through a lens - like Doris Lessing and her golden notebook. Lovely.
Sadly, Chantal Akerman left us behind. I'm always impressed w/ her work like intimate "Je, tu, il, elle," sublime "La folie Almayer" & ofc devastatingly superb "Jeanne Dielman." So I can't cope with this painful loss(& can't see her last movie yet) but this movie's last sequence retells my sadness as my hope, her death as new departure for another world which she or even we don't know. Au revoir, Chantal Akerman.
OK if you are a super fan of her work. Although I respect her work and she was one of the most important directors in narrative cinema, who infused some experimental elements and forms, I have never fell in love with her films. She isn't an interesting person to listen to regarding film, and as a person I've never really liked listening to her interviews. Essentially, not really worth watching unless you love her.
Kind of an apéritif. Appropriate, as I saw it screened, as perhaps it ideally should be, as an addendum to a screening of No Home Movie. Not very many 20th century artists mean as much to me as Akerman. To me she is the artist who best guided us out of modernist alienation and into the light of a new kind of playground. The best moments focus on her at work. There are also some wonderful moment w/ Aurore Clément.