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Joy: Alles außer gewöhnlich


USA, 2015

Darum geht's

A story based on the life of a struggling Long Island single mom who became one of the country’s most successful entrepreneurs.

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Joy: Alles außer gewöhnlich Regie David O. Russell

Auszeichnungen & Festivals

Academy Awards

2016 | Nominiert: Best Performance by an Actress in a Leading Role

Golden Globes (USA)

2016 | Gewinner: Best Performance by an Actress in a Motion Picture - Comedy or Musical

2016 | Nominiert: Best Motion Picture - Comedy or Musical

A fairy tale of lean-in capitalism about a Cinderella without a prince, Joy recasts the crazy family of a Capra comedy with stellar toxicity. Joy’s (Jennifer Lawrence’s) undermining relatives are the selfish American clan par excellence, claiming to know everything about Joy’s business while undermining her future. Robert De Niro and Isabella Rossellini, playing evil-universe versions of themselves as Joy’s father and stepmother, delight in their performances as fickle scoffers.
February 25, 2016
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[After walking out 30 minutes in the first time,] I went to see Joy again two weeks later. And while I did not become less put off by the conceit of the film, I began to feel, oddly enough, that Joy shared in my consternation. Joy is a film about the pursuit of wealth and opportunity that isn’t quite sure if the story it tells should be told anymore. For our crisis-ridden times, it seeks to be — impossibly enough — both an exacting mirror and an escapist dream.
February 19, 2016
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That’s about as intriguing as Joy the movie gets before turning into a film-length advertisement for the self-empowerment of its working-class protagonist… Fortunately, Lawrence could mop the floor and it’d be interesting (which, in fact, she does). Her energy and genuineness, and ability to surprise by modulating happy and sad emotions despite her outward glow, are all impressive. But it’s still not enough to save the film, which bumps along to an abrupt, broken-backed ending.
January 04, 2016
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