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mpho3's rating of the film Let's Get Lost

"The reason LGL remains powerful even now, when every value it represents is gone, is [because it] deal[s] w/ the mysterious, complicated emotional transactions involved in the creation of pop culture and the ambiguous process by which performers generate desire. Baker isn’t so much the subject of LGL as its pretext, the front man for Weber’s meditations on image making and its discontents." - T. Rafferty, NYTimes