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Little Odessa - Eiskalt wie der Tod

Little Odessa

Regie James Gray
USA, 1994
Drama, Krimi

Darum geht's

Joshua Shapira, an American of Russian Jewish descent has become a hit man for the Russian mafia. One particular job takes him back to his hometown – the Brighton Beach area of Brooklyn where he meets once more his disintegrating family, an involvement that leads to tragic consequences.

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Little Odessa - Eiskalt wie der Tod Regie James Gray

Auszeichnungen & Festivals

Venice Film Festival

1994 | 3 Gewinne unter anderem: Silver Lion

Independent Spirit Awards

1996 | 5 Nominiert unter anderem: Best First Feature


Of course, Gray never approaches Dostoyevsky’s depth. Little Odessa is Crime and Punishment with 500 pages cut: all that’s left is a skeletal plot. Joshua says, “I don’t wanna talk anymore” before any real conversation about his crimes even begins. When the characters do speak, they tend to belabor the obvious: “I don’t need a gun to be a man.” “I know you can change.” “I’m sorry I hit you, but you’re always running away.” (Irony!)
June 22, 1995
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An impressive if uneven first feature (1994), strong on atmospherics and weak on certain family links and ethnic details, by young New York writer-director James Gray… Up to a point, this is yet another crime picture; beyond that point are some style and feeling that make you remember it longer than most of the others.
June 01, 1995
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Solid little film buoyed by strong performances… Remarkably (and admirably) restrained for a film about a hit man; this is the sort of low-key filmmaking that I almost always find absorbing, provided the script and the acting are up to snuff. Gray made terrific use of the infamous New York blizzard of 1993—his Brighton Beach looks like Siberia. Not as flashy a debut as those of Tarantino and Rodriguez, but quietly impressive in a way that suggests a potential first-rate director.
May 28, 1995
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