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Comizi d'amore

Pier Paolo Pasolini Italien, 1964

smndvdcl's rating of the film Das Gastmahl der Liebe

Societal opinions fascinate me, even ones I may disagree with. What contexts, influences and deductions are involved in each person's ideological conclusions? Pasolini braves the storm, poking the bear to reveal emotive subjectivities on the topic of "sex" from a cavalcade of interviewees. One certainty remains: for better or worse, this discourse will always continue.