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3.8
969 Bewertungen

Margaret

USA, 2011
Drama

Darum geht's

A young woman (Anna Paquin) witnesses a bus accident, and is caught up in the aftermath, where the question of whether or not it was intentional affects many people’s lives.

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Margaret Regie Kenneth Lonergan
As Lisa’s little world comes up against the realm of public power . . . , the movie rises to a grand symbolic pitch; it’s a city symphony, romantic yet scathing, lyrical with street life and vaulting skylines, reckless with first adventure, and awed by the intellectual and poetic abstractions on which the great machine runs. Lonergan’s longer, three-hour-plus cut expands some plot points and, above all, emphasizes his nearly metaphysical vision of New York.
December 29, 2017
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The more I watched the more I realized it was trying to show all of life in a city that’s come to represent one half of American life, the fast thinking liberals with more conscience than they know with what to do. . . . Frankly there isn’t a bad moment of performance in this movie, which utilizes poetry, literature, opera and theatre to help us understand the experience of being alive. This movie is a terrifying gift, one of the great films of my lifetime.
December 01, 2017
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Margaret earns its operatic epilogue because of its accumulation of all of these smaller moments and miniature climaxes. Again with the contradictions—it’s a big, emotional ejaculation of a movie about an often irrationally passionate protagonist that is also soberly, classically structured, opening with major conflict and building towards that final, tearful, moral resolution.
April 22, 2013
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Was sagen Andere darüber?

  • smndvdcl's rating of the film Margaret

    Lonergan is a master of actualising the relatable unsympathetic protagonist to screen, uncanny in articulating a highly-strung, precocious post-adolescent college grad with a vendetta. Some of the film's dialogue echoed Jonathan Franzen's novel, 'The Corrections'. 'Margaret' is a rough-cut diamond with a raw edge akin to a Kaufman script or Zwigoff film. Its messy flair unites content and form inextricably.

  • Matthew Martens's rating of the film Margaret

    3.5. A bone-shavingly close send-up of a precociously perceptive, painfully deluded young woman tortuously navigating Shaw's moral gymnasium, from which she finally emerges with the provisional realization that while we may be unable to help one another very much, or even to understand each other hardly at all, art and its kin catharses can at least make us cry together, clearing the stage for (re)new(ed) illusions.

  • ig_____or's rating of the film Margaret

    During the first half I was onboard with this, but there was a turning point: the discussion between Anna Paquin and Mark Ruffalo's characters was so annoying that it seemed to drag everything down with it: all of a sudden all characters became pretty unbearable and whether they were shouting during class, frenetically talking with lawyers or at restaurants discussing opera or Judaism... I just stopped caring.

  • Jesse Furgurson's rating of the film Margaret

    The kind of great movie that is great in part for its mostly deliberate failure to be the slick, efficient, consumer-friendly entertainment machine that the cast leads some to expect. It's exhausting, difficult, thorny, and doesn't move seamlessly like multimillion-dollar prestige-y dramas are supposed to. It demands you mire yourself in it, grapple actively with its complexities, and the payoff is huge.

  • speakingparts's rating of the film Margaret

    I'm impressed. Incredibly brilliant movie that isn't what it seems, not at all. Reminds me of Kaufman's Synecdoche NY. Mixed with Don DeLillo's Underworld. A perfects screenplay with so many undertones, pervaded by a Dostoievskian nihilism, mind-blowing due to its complexity.Don't watch the trailer, it's totally misleading. See the film.

  • Sean Patrick Stevens's rating of the film Margaret

    One of the most powerful films of the last 10 years. Seeing the 3hr version justifies the running time to do justice to the issues raised and allows Paquin's performance to truly resonate.

  • HEDONIST's rating of the film Margaret

    If this film goal was to make its viewer loathe its protagonist than it succeeded and then some. Anna Paquin really embraces the writing and pulls off a wonderful performance -- compelling no matter how detestable her character really is. I enjoyed the inclusion of opera as a trope: is it really this healing force or are we just experiencing more of Margaret's off the wall emotion and artificiality in her reaction?

  • Brotherdeacon's rating of the film Margaret

    Gratuitous Norma-like uber drama is strung one scene after another for 3 hours of hyperbolic rant and stunned reaction. Makes for wonderful roles which fine actors can parlay into heady reviews, but has no cohesion in the modulation of emotional architecture one hopes to find in good dramatic films. Oddly reminded me of the glinting and shiny fool's gold which Francis Coppola has been mining for the last 20 years.

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