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Bewertungen & Beurteilungen

  1. kartina obskura's rating of the film Frau Oyu

    one of the most beautiful closing scenes

  2. Hup-lá's rating of the film Frau Oyu

    Oyu o el ideal en la distancia, que el dúo busca encarnar. Uno que pesa, joven, distante. Tríptico en la tragedia. El último plano, la luna distante, reafirma las intenciones de un drama que gravita en torno a Oyu: la luna, el ideal, centro.

  3. Renton47's rating of the film Frau Oyu

    Like my favourite equation: (social repression + repressed desired) x classical compositions = doomed lovers.

  4. josé neves's rating of the film Frau Oyu

    Digitally restaured, rewatched. That forest in traveling, filmed according to a double look, of the camera and the supposed subjective look of a character, in which the protagonist is first shown, is overwhelming, in all according to the excellence of a melodrama structured according to the cinematic language

  5. FISCHER's rating of the film Frau Oyu

    D'une banale intrigue romanesque, a priori sans réelle originalité scénaristique, Kenji Mizoguchi dégage un somptueux mélodrame feutré, traversé de part en part de constants débordements sentimentaux toujours (discrètement, mais non sans déchirements) maîtrisés, accompagnés de ses incessants et douloureux corollaires d'évitements et de frustrations.

  6. Tabikenezer von Higglesbloom's rating of the film Frau Oyu

  7. Karl J. Kipling's rating of the film Frau Oyu

    3.5. One of the most beautiful of Mizoguchi's films, meaning that it's among the loveliest black and white films ever made. If only it weren't so silly...

  8. Daniel S.'s rating of the film Frau Oyu

    I liked a lot the first scene in the forest when Shinnosuke falls in love with Miss Oyu and, above all, the way Mizoguchi manages to hide Shizu's face during the whole scene. Recommended.

  9. tidal waif's rating of the film Frau Oyu

    yes, life is a bitch. an asynchronous one.

  10. Espen Nomedal's rating of the film Frau Oyu

    Despite the fact that the pale faces of brave heroines in Kenji Mizoguchi's films are memorable, they usually are smashed unrecognizable by brick walls of social formalities that at distance looks like green grass of home. So its no surprise that this musical love story with trees shot in backlight more gorgeous than National Geographic, splice parental guided marriage with suicidal tendency as a perfect matchmaker.