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Eines Tages fragte mich Pina

Un jour Pina m'a demandé

Belgien, Frankreich, 1983

Darum geht's

Der Film begleitet das Wuppertaler Tanztheater bei einer Tournee, er dokumentiert Vorbereitungen und Arbeitsatmosphäre und porträtiert die Choreografin im Gespräch.

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Eines Tages fragte mich Pina Regie Chantal Akerman
The dance footage in Pina Asked is astonishing, not only because of Bausch’s choreography (a groundbreaking fusion of classical ballet, modern dance, and performance art) but because of the feeling and intelligence Akerman brings to it. Using lengthy takes and exacting compositions (two of her stylistic signatures), she encourages us to reflect on how the dancers’ bodies give form to Bausch’s ideas.
August 06, 2014
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While Wim Wenders’s 3-D Pina may be the crowd-pleasing, pumped-up version of Bausch’s dances, Akerman’s vision is far more intimate and emotive. True to both her and Bausch’s vision, One Day Pina Asked… is less an attempt at archival documentation than at expressing a feeling through movement and moment.
June 06, 2014
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I was overcome by an emotion I can’t quite define — something to do with happiness," Chantal Akerman says during her sole, fleeting onscreen appearance in the sublime One Day Pina Asked . . ., the 1983 documentary she made on Pina Bausch and her dancers. The director is attempting to elucidate the feelings stirred by watching one of the works by the mighty, if blade-thin, choreographer; what Akerman can’t express in words, she makes piercingly specific with her images.
June 04, 2014
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